Welcome to the forum! This place doesn't get as gladiatorial as the Roman forum of 2000 years ago, but it has its moments.
There is almost universal agreement that Spike and Buffy went through what I call their "Nine and a Half Weeks" phase in Season 6 with Spike playing the Mickey Rourke part and Buffy playing the Kim Basinger part. This is not a healthy relationship, but drama does not arise from healthy relationships and the writers had been boxed in by not wanting to repeat what had been done before. Given that Buffy is already alienated from the scoobies, the darkness of Season 6 is not a problem (for me at least) because it is easy to imagine things going exactly the way they did. The only person Buffy could talk to became her confidante then her lover. What do you do as a writer in a series that hasn't been done already? There were some standalone episodes like "Doublemeat Palace" but for the most part, there were three main character arcs, one each for Buffy, Spike and Willow. Add the fact that there were several writers who had their own distinct style but who had to create these arcs over several stories seamlessly and you can see where things can go off the rails quite easily.
Somebody had the idea that Spike should get his soul. But how do you convince a vampire to get a soul? You make him do something so hideous that he can't stand to remain what he is. Your suggestion of something that affected Dawn is a good one - a few people second-guess how it could have been better and that would be one suggestion. Joss should have known that a lot of women get raped in their lives - some say 25% of the female population - and to put the attempted rape on screen would alienate them and a lot of people who had known victims as well as those who had been victims. James and Sarah did not like playing these scenes and not many people liked watching them. But given the development of the story where Buffy has already broken up with Spike and Spike won't take "no" for an answer, the AR does not seem as out of character as some people have stated. It is perfectly in character for Spike to not accept being dumped, especially because it happened when she was on a mission with Riley and the use of force is always the foremost solution in his mind. The story makes sense as it was written because you could easily follow Spike's thought processes and you can understand how things got to the state they were in during "Seeing Red".
Thank you, happy to be here! Oh dear, well I hope I can avoid any intense sparring,
🙂
While I understand nine and a half weeks as a parallel, I would argue on the count that Spike would be completely Mickey. As unbelievable as this may seem, I don't think it was ever
just about the sex for Spike. I think he wanted Buffy anyway she'd let him have her, and in the nine and half weeks comparison she'd be closer to Mickey in the aspect that she really doesn't want to share any of her life with Spike besides the sex, while I'm sure he'd have been happy to. We do get one instance where he offers handcuffs to Buffy, but for me that's always felt like he was feeling her out for whether or not she actually trusted him, which, (rightly so) she did not. Neither here nor there, I suppose the analogy makes sense overall.
I wouldn't say that drama never comes from healthy relationships, but I understand your point, and I agree, the darkness of Season 6 is not an issue. I think it was good to explore some darker sides of the characters. My problem however, comes from the way that it was handled. I think Season 6 could have been exceptional, but it was all over the place and unfocused, and there was not a natural segue from season 5 to season 6 in terms of characterization imo. It doesn't surprise me Buffy was distant from the scoobies, it doesn't surprise me she confides in Spike, but it does bother me that her depression/possible PTSD is very poorly handled, and Spike's actions seem discordant from his previous behaviour in regards to the women he loves. I understand that it would be hard for him to accept no for an answer, and honestly I expected a pretty vicious reaction from him. But never in all my days would I have expected rape. Speaking of alienating viewers, I was very young when I first watched that episode, and I didn't get more than 10 seconds into that scene before I turned it off and stopped watching BtVS for YEARS. I was appalled, not only because Spike was my favorite character, but because, even at such a young age, it didn't make
sense to me. (And it still doesn't. I have never watched that full scene and I never will.)
As an adult with a little better grasp (though I am not an expert by any means) of character arcs, plot devices, narratives, etc, it was clear to me that the chip not working when it came to Buffy was a cheap plot device only put in for the sole sake of making that rape scene possible. It's never addressed again. (I might even go so far as to say that it was a subtle way of "punishing the slut" for having sex with the "bad" guy in the first place.) Which leads me to believe that there was ample time to come up with an alternative plot line, that didn't use Buffy's near rape as a plot point to advance the male character's narrative. That's why it infuriates me so much, because maybe it wasn't completely out of character (Though it is to me. I can see to a certain extent how Spike's demon would be confused by the back and forth Buffy has been giving him, but I really don't think, with his history of how he treats the women he truly cares about, he would be capable of what he was going to do, or that he wouldn't have stopped himself. I might have been able to handle that scene if he had but..
. I digress) but it was
completely unnecessary and abominable.
There were so many other ways to handle it, and while I also understand you saying the writers not wanting to go where they had gone before, I feel it would have been better for the overarching plot if Spuffy had only very gradually happened over Season 6, and that the characterization would have suffered a lot less for it imo.